Showing posts with label civil rights. Show all posts
Showing posts with label civil rights. Show all posts

Friday, November 22, 2013

Kennedy's legacy remembered as the dream still unfulfilled

[caption id="attachment_21020" align="alignleft" width="239"]President John F. Kennedy President John F. Kennedy[/caption]

Carol Forsloff---How much we remember, how much we forget, about the Kennedy years. For those good old days were good in many ways but were difficult for others, before the heralding of civil rights, the poverty programs, environmental legislation and women's rights and issues that made a difference in the upcoming years, that were the dreams of the fallen President.

President John F. Kennedy was shot and killed in Dallas, Texas on November 22, 1963. Almost everyone who was alive during that time recalls what he or she was doing at the time. Few of us, however, remember, or even think about, what we did or didn't have. The time of promise that folks remember and associated with Kennedy seemed to hold less promise for those still struggling with getting jobs with equal pay and opportunity and finding a ladder of success that would allow achievement like others.

Civil rights legislation passed in 1964. Womens rights became the hue and cry of those years, along with the rights of African Americans with the passage of the Civil Rights Act. President Lyndon Johnson was able to put into law the dreams of his predecessor, while Kennedy remained the symbol of the new freedoms. He set the tone for the accomplishments of others, and it is that tone that made the difference. But his death also brought about a change in the perception of government and faith in the future. For with the President's assassination came the questions about who, why, how he was killed and what would it mean for the direction of the country.

As the social programs came to fruition, the tone began to shift to one of shrillness, of “I want it now” and what can my country do for me as opposed to the phrase, “Ask not what your country can do for you. Ask what you can do for your country.” The age of service and of opportunity has transformed into the Age of Entitlements instead.

The watershed moment of the Kennedy assassination meant a shift in values, but that shift came several years after the death of Kennedy. People remembered his dreams and ambitions, and so government programs developed to take care of the poor, the oppressed, and those unable to care for themselves. But as the memory of the assassination remained, the memory of the Kennedy dream has faded, replaced by the dissensions of those who follow less the dream than the Ayn Rand formula instead, of personal independence, lack of faith in anything other than oneself and the need to look out for Number 1 regardless. So as generations come and go, those children of the 60's have become the retirees of today, or the groups who looked at those Kennedy years as transitions with programs that were terminal, as the nation would prosper soon. Those who didn't were left behind in the transitions to those different views, less optimistic and more punitive, more fearful today of socialism in ways that speak more of the 1950's and the era of Joseph McCarthy then the dreams of John F. Kennedy.

Kennedy's dreams remain unrealized in the way envisioned in those years of his Presidency. The message of the day for those who remember him and grieve his loss, that we remember the dreamer and seek to honor him with our words and deeds.

In memorial is this original song, “O Captain, My Captain, “with the lyrics once written for President Abraham Lincoln, who was also assassinated and whose death also denied his dreams of equality and reversed many of them in the years to come. It is a lesson for us all, that what makes a great man are those dreams; and those who want to follow these men must not ever give them up.

Thursday, August 9, 2012

With a Song in Her Heart: Musician's contribution to sexual abuseawareness

[caption id="attachment_16054" align="alignleft" width="180"] Darcy Jeavons, Singer/Songwriter[/caption]

Carol Forsloff — Darcy Jeavons is a singer/songwriter who carries on the tradition of many musicians throughout history, alerting people to the problems in society. After all, it was the folk singers who stood beside the activists in the March on Washington for civil rights in 1963. And it remains the purview of musicians to take up the banner along with others in the struggle against social problems.   For Jeavons the cause is teenage sexual abuse.

Jeavons, who is one of the most popular of the female singers on a site called Fandalism, was asked to perform music at an event sponsored by a non-profit organization called I Am Gonna Tell. The organization was formed to teach young victims to speak out if they are being abused. From this beginning, Jeavons went on to write her song with the title I Am Going to Tell, a song that has deep meaning for a singer whose heart was touched by her association with those activists involved in helping sexual assault victims.

According to Jeavons, she became interested in the organization and its concerns after interacting with the founder, Janet DuBry. DuBry told Jeavons about her own personal history when her daughter was assaulted by DuBry's boyfriend and found the daughter was too scared to discuss what had happened. The teenager had been convinced not to discuss the assault with her mother by the boyfriend who had intimated that DuBry would not believe her daughter.  This touching story on how the organization I Am Gonna Tell was founded made Jeavons recognize how deep and emotionally-laden sexual abuse can be for the victims and their families.

Jeavons says that in the course of learning about the organization she learned to recognize "abusers only have control when they convince their victims that they better not tell anyone, or else suffer the consequences. So the power lay in the realization that by speaking about your abuse, you could take away their power, and end the suffering. So before I played at the event with my other musicians, I thought it would be nice to show up with an original song for the cause. I felt so strongly about the  need to get sexually abused children and teens to know that no matter how they felt, they had to tell someone….and so, the song was born."

The song is named after the organization, I Am Going to Tell.

Jeavons was enrolled full time at California State University Long Beach Bob Cole Conservatory of Music at the time she began her association with the organization I Am Going to Tell. Her schedule was very demanding because of the requirements of the school and also because Jeavons is a single mother. Still she explored the problem with DuBry, as she learned about the problems of sexual abuse and how critical it is to get victims to talk about their experience and their hurts.

In January 2012, "the wheels were put in motion." for the song's creation and development into a song video, Jeavons said.  She went on to describe how the music video concepts were discussed and how she had help from a fellow worship leader at a church in Huntington Beach, Matthew Darren Nuss. Jarvons went on to describe how important this association became. "Matt was a contestant on American Idol, and had many connections in the industry. The producer of his church’s album, Jeff McCullough from Tree Hill Media, said he wanted to come on board with us, and he produced the single, as well as brought a client he was managing in to sing the lead vocal – young Alani Claire. Alani was perfect for the song, and could appeal to the audience the song was aimed at. And although there were many times the production had to be put on hold for short periods, the end product was/is phenomenal. This was all done free of charge (except for the video, which I personally paid for… I figured that’s where God wanted the money to go that I had saved up – and it was worth it.)"

Many song writers talk about being inspired when they compose. When asked about the actual process of creating the song, Jearvons told this journalist, "I honestly can say that is sort of a blur. The song was written in probably an hour. The lyrics came to me, and I tried to get the feeling across that no one is alone, and no matter what, just tell. I wanted the song to have a driving beat, almost a call to action feel – like a feeling of running and telling. I also wanted it composed in a style that could cross a wide variety of genres so that anyone could perform it. But mostly, I would have a picture in my mind of teens sitting in their bedrooms with their guitars, playing the song along with a YouTube video, and always knowing they are not alone. That is the vision I have for the song."

The song is important to Jearvons for its message, a very important one. She tells us that "if I can help save one life, I would be happy. If I could save many, I would be happier. But I must give all the credit to God, because I could not have done this without Him. He is always at my side, and I truly believe He wrote this song - not me. I was just along for the ride. And I thank Him every day for that privilege."

This song  I Am Gonna Tell is available to view on YouTube, Fandalism, and has its own I Am Gonna Tell Music Video Facebook page. A Twitter acct. is in the making. The song is available on iTunes, Amazon, and other pay websites where proceeds go to the "I Am Gonna Tell" nonprofit organization. The song also can be found on Soundcloud and 4Shared.com as a free download."

For Jeavons, this not about the money - it’s all about the message. And in writing the song Jeavons joins the legions of songwriters over centuries who have made music the vehicle to translate human experience into ways people will understand and feel and to transform hearts as well.

The following are some of the links where people can find the song video.

https://www.facebook.com/IAmGonnaTellMusicVideo

https://www.facebook.com/pages/I-Am-Gonna-Tell/187755047924421

http://www.youtube.com/watch?v=-a4b3kNA38U&feature=plcp

http://fandalism.com/jeavheav/bjvd